split ends / rooms
Out of print

Alanna McArdle’s poetics carves for itself a place between insouciant wit and the stingingly vulnerable. It claims agency and reclaims symbolic space over the terrible, the oppressive, by biting down hard on the articulate nerve of the thing. I’m excited by this pamphlet, and so so glad it exists.”
Wayne Holloway-Smithauthor of Love Minus Love
Selected by the National Poetry Library for its collection
About the book
The residue of trauma is ever present in Alanna McArdle’s stunningly-achieved debut poetry collection split ends. These are 12 confrontational poems that swell and contort perspective, conversing with and following one another. McArdle’s words are emotional, arresting, and obtrusive. She writes, “crepuscular, fetid, she sniffs like a fox / screams like a fox” and as the ripples retreat, she leaves readers to decide which way they view the conversation.
Collections: The British Library, Bodleian Library Oxford University, The Cambridge University Library, National Library of Scotland, National Library of Wales and Trinity College Dublin.
we have been taught
if you wear the collar
someone will
eventually
come with the lead.
from 'lead'

About the author
Alanna McArdle is a writer from London. She has had poetry published in print and online in Shabby Doll House, Prelude Magazine, Poems in Which, For Every Year, and The Chapess, among others, and she was recently included in episode three of the podcast Poets In Bed. Her non-fiction and journalism has featured in Pitchfork, Crack Magazine, The NME, The Talkhouse, Noisey, and Broadly. Her short story ‘Butter’ was shortlisted for the 2018 Desperate Literature short fiction prize.
Specification
- Format
- Paperback
- Trim Size
- 210 x 168 mm
- Pagination
- 40pp pp
- Publication Date
- 16 January 2019
- ISBN
- 978-1-9160608-3-8
- Designer
- Frontwards Design
- Production Spec
- Loop binding, full colour, litho print
- Trade Categories
- Poetry